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Post by LadyKatie on Jun 27, 2004 12:18:09 GMT -5
lol...oops.. i forgot to post that one... i just looked to see if i did it and indeed i did...haha.. oops! I have a few more short scenes coming your way
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Post by LadyKatie on Jun 27, 2004 12:36:52 GMT -5
The Raining Scene
Allie: Why didn’t you write me? Why? It wasn’t over for me. I waited for you for seven years, now it’s too late. Noah: I wrote you 365 letters. I wrote you everyday for a year Allie: You wrote me? Noah: Yes! Allie: You-you... Noah: It wasn’t over. It still isn’t over.
Noah brings Allie to the old house for the first time
Allie: I want a big ol’ porch that wraps around the entire house. Noah: Oh. Allie: We can drink tea, and watch the sun go down. Noah: Okay. Allie: You promise? Noah: *nods* I promise Allie: Good.
just a couple more
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Post by reinhardtchick51 on Jun 28, 2004 1:08:02 GMT -5
thanks for all you help i really like them
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Post by LadyKatie on Jun 28, 2004 1:09:00 GMT -5
no problem one day, i have to get the new making of the notebook in my room somehow and i'll type that one out [the second version]
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Post by reinhardtchick51 on Jun 28, 2004 1:13:17 GMT -5
yea i didn't realize that their were two verisons
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Post by LadyKatie on Jun 29, 2004 19:43:46 GMT -5
does anyone have any new ones to share?
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Post by sydnvaughn4eva on Jun 29, 2004 23:34:48 GMT -5
I loved when they were teenagers and Noah took Allie to the old house and he was telling her what he wanted to do with it and she said "don't i get a say in this" and Noah was like "Do you want a say in this?" This was her way of saying she wanted to spend her life in this house with him and I thought it was cute.
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Post by LadyKatie on Jun 30, 2004 3:35:33 GMT -5
Man, I'd better get some love after this one... it took forever. There are two parts I didn't write -- the screenwriter sucks at speaking...and i can't understand him/nor do i care what he has to say.. so if someone wants to tell me -- I can change it. lol
James Marsden: Tales of love and passion, they’ve enthralled movie audiences for more than a century. The best ones take timeless themes and make them fresh for a new generation. I’m James Marsden, and I co-star in The Notebook, a film based on the best selling novel by Nicholas Sparks. It’s a story of forbidden passion in the South, of a woman torn between her love for two men and of what happens after she makes her choice.
Rachel: It’s just a beautiful love story, that you know spans all different periods of time. It’s very epic.
Ryan: In the beginning, it’s very, sort of new and innocent and for the first time.
Mom: That child’s got too much spirit for a girl of her circumstance. Dad: Nah, that’s just summer love. Mom: Trouble is what it is.
Ryan: and it just sort of takes like a completely different turn for them and it becomes very like, intense and carnal, which I don’t think either of them were prepared for.
*Kissy Kissy* Allie: Make love to me. *Kissy Kissy*
Mom: Now that is enough. You are not to see him anymore and that’s final. Allie: No it’s not final. Mom: Yes it is. Allie: No it’s not final! You are not going to tell me who I’m gonna love. Dad: Love? Allie: Yes Daddy. I love him. I love him.
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Post by LadyKatie on Jun 30, 2004 3:35:54 GMT -5
Lon: I know I kid around a lot, but I’m crazy about you. Marry me? Make me the happiest man in the world.
Noah: It wasn’t over. It still isn’t over.
Allie: When I’m with Noah I feel like one person and when I’m with you I feel like someone totally different.
Old Allie: So what happened, in the story? Which one did she choose?
James Marsden: Which one did she choose? That’s a mystery for most of the movie. The tragedy is, 60 years later, Allie herself has been robbed of her memories. Her past is now preserved between the worn covers of a notebook, guarded by the husband she’s forgotten.
James Garner: The Notebook is the history and the story of their love.
Duke: It was the night of the carnival, that’s where they met. June 6, 1940. Allie was 17 years old.
Noah: Who’s this girl with Sarah? Finn: Her name is Allie Hamilton. She’s here for the summer with the (her) family. Dad’s got more money than God.
Ryan: She’s free and un_______ (?) by anything that she’s supposed to be or what people expect of her and that’s attractive.
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Post by LadyKatie on Jun 30, 2004 3:36:08 GMT -5
Allie’s Date: What are you doing? Carnie: Hey! You can’t do that! Noah: I’m Noah Calhoun. Allie: So? Noah: So, it’s really nice to meet you. Allie’s Date: Allie. Who is this guy? Allie: I don’t know. Noah Calhoun. Noah: I would really like to take you out. Allie’s Date: Friend! Do you mind?
Ryan: He’s really kind of an obsessive guy. Maybe he’s romantic, but also he’s-he’s obsessive.
Noah: Look, I know when you get some dirty guy walk up to you on the street, you don’t know him. You don’t know me, but--but I know me. And when I see something that I like… I gotta--. I love it. I go-- I mean, I g-go crazy for it Allie: *laughs* What are you talking about? Noah: Well…you.
Rachel: He’s such a contrast to my life and he’s, you know, man of the earth and you know, makes things with his hands and I find that really-really interesting and exciting and contrary to what I come from.
Noah: Do you want to dance with me? Allie: Sure *gestures his hand* Allie: Now? Noah: Mm-hmm. Allie: Here? Noah: Mm-hmm.
James Marsden: The movies have always loved love stories. One of the very first films was a 20 second close-up of a husband and wife kissing. It was a big scandal in 1897. Whether you’re talking about the classics or the notebook, on-screen lovers are brought together by fate, and then torn apart by circumstance.
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Post by LadyKatie on Jun 30, 2004 3:36:22 GMT -5
Mark Johnson: In movies or book, the best love stories are the ones where – in which they aren’t together or can’t be together, or the entire course of the plot is to get them together.
James Marsden: Sometimes, lovers are kept together by huge events, like Sherman marching through Georgia in Gone with the Wind, or the Nazis marching across Europe and North Africa in Casablanca. But the obstacles were often more personal. Like the prejudices of a small town in Picnic, of the class differences in An Officer and A Gentleman.
Noah’s co-worker: Aw…<br>Allie: Screams as she runs up to Noah and jumps on him
Jeremy Leven (Screenwriter): What makes a love story or one man’s really work (??) is th-that desperation, that feeling that fates have intended these people to be together./…..blah blah... I don’t understand this man.
Nick Cassavetes: Part of the very nature of love, or what we like to think of love, or this love is that it endures.
*kissy-kissy in Noah’s Car* Allie: Okay, I have to go Noah: No! Allie *laughs* yes, I do.
Rachel: they have this innocence. This young love that can conquer all, and then, well, and then wealth and differences get in the way.
Mom: So Noah, you and Allie have been spending a lot of time together, *smiles* You must be very fond of each other. Noah: Shakes his head *no* (as a joke) Mom: It’s getting’ pretty serious, huh? Noah: Yes ma’am. Mom: Well, summer’s almost gone, what will you do? Noah: Well, Charleston’s only a couple of hours away. Mom: But Allie’s going to Sarah-Lawrence (?), didn’t she tell you? Noah: No she didn’t tell me that. Mom: And Sarah-Lawrence is in New York. Noah: I didn’t know that.
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Post by LadyKatie on Jun 30, 2004 3:36:37 GMT -5
Rachel: As young people, you don’t think about it, you just being in love and you know, nobody can tell you what to do and you can have each other. And all of a sudden, you realize how small you are.
Finn: Noah! Noah: What? Finn! Get out of here! Finn: Look, I’m sorry, but Allie’s parents are going crazy. They’ve got every cop in town out looking for her.
Mom: It has got to stop. He’s a nice boy but he’s –<br>Allie: He’s what? He’s what Mom: He is—<br>Allie: Please tell me Mom: He is trash. Trash. Trash. Not for you.
Allie: I love him. Mom: You are 17 years old. You do not know anything about love. Allie: Oh, and you do?
Joan: It’s kind of a story that’s been told many times before, about the boy from the wrong side of the tracks, and the mother really doesn’t want her daughter to be hooking up with, with him. So she does her best to sort of, split them apart.
James Marsden: For a while, personal heartbreak is overshadowed by the greater conflict of World War Two.
Kevin Connelly: When Noah comes back from the war, he-he’s a completely different person and uh-uh you-you know, his whole life has changed.
Ryan: There’s a loss of innocence. Even more so than that, there’s a loss of many lives and ideas and hopes but one thing remains true to him which is some feeling he had one summer when he was 19.
James Marsden: Noah can’t forget Allie, but Allie has moved on.
Lon: Can I ask you a question? Miss? Allie: Hmm? Lon: I noticed you weren’t wearing a ring, and I was wondering if I could take you out Allie: Excuse me? Lon: On a date. *coughs* Allie: Okay. Okay Casanova, come on, let’s just get you better, and then we’ll talk about a date okay?
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Post by LadyKatie on Jun 30, 2004 3:36:51 GMT -5
Friend of Allie#1: Oh my gosh, he is dreamy! Allie: C’mon Friend of Allie#2: He’s staring at you. *girls giggle* Lon: Oh miss? I’m all better. Now how’s about that date?
James Marsden: Lon is rich, charming, a heck of a dancer, and he and Allie fall in love. Her parents couldn’t be happier.
Lon: Now listen close, if you marry me, then you will have lost a life-long battle of defiance against them (her parents) Allie: Oh my goodness, what are we gonna do? Lon: I do not know. Allie: hmm.
Rachel: He’s everything I’m supposed to wind up with and more. He’s charming and funny and uh takes really good care of me and will be a wonderful provider and a wonderful husband and you know everything fits. There’s really nothing wrong.
James Marsden: And then, just weeks before their wedding, everything goes wrong.
Allie: *looking at the newspaper article of Noah and the house* Mom: Oh boy
Feelings have been put aside because you know, 7 years later, engaged to another man, that’s supposed to be part of the past, and then suddenly, his picture is in your present and that will dictate your future and you have to find out, one way or another, you have to know, or you’ll never be happy.
James Marsden: But Allie discovers that some feelings can’t be put aside.
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Post by LadyKatie on Jun 30, 2004 3:37:04 GMT -5
Rachel: With Noah, it’s not the way it’s supposed to be and it’s not what my family wanted for me, but for some reason, it just…it just works.
*long kissy kissy part here*
James Marsden: Love like that isn’t rational. There’s no logic to it. The question for Allie is does she go with her feelings for Noah or does she marry Lon?
Lon: It’s normal not to forget your first love. I love you Allie, but I want you for myself.
James Marsden: It’s a recurring dilemma in screen romances. Does Scarlet O’Hara love Ret Buttler or Ashley Wilkes? Is Elsa taking the last plane out of Casablanca with her heroic husband Victor or the cynical Rick? What would you do? One thing’s certain. Love may endure, but the great love stories don’t always end with the lovers living happily ever after.
Screenwriter: Casablanca and gone with the wind are two *studder* of the easiest examples of stories ___ *studder* If you go down the list, you’ll be surprised at ho the most popular ones are not where they guy gets the gal.
James Marsden: Sometimes, death gets the last word, as in Titanic, Out of Africa or A Love Story. Other times, personal issues keep the lovers apart. In The Way We Were, Robert Redford doesn’t end up with Barbara Streisand and in Splendor in the Grass; Norman Beatty doesn’t end up with Natalie Wood. But hey, like the poet said: “It is better to have love and lost than never to have loved at all.”<br>
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Post by LadyKatie on Jun 30, 2004 3:37:33 GMT -5
Noah: Would you just stay with me? Allie: Stay with you? What for? Look at us, we’re already fighting. Noah: Well that’s what we do!
Rachel: Ups and downs and you know, fighting and the joys and sadness and tragedy and reuniting and all the good stuff that big, huge love stories have.
James Marsden: So whatever happened to the Hollywood love story? Some say it was a victim of changing times and tastes. Beginning in the 1960’s, an era of casual sex and instant gratification, made waiting for the one you love seem a little old-fashioned.
I think there’s a fear that you know, people are so cynical, I am, I know I am, certainly when I’m watching a film that anytime you know, someone tries to offer you something wholesome or um, like something um, simple or pure idea, you have some sort of like th-gut reaction to that, like that doesn’t exist.
James Marsden: In the 80’s and 90’s, movie theatres echoed to the sound of guns, explosions and car chases. And if you wanted love stories, you pretty much had to switch on the classic movie channels, or hit the book stores. Readers in search of a good cry found a new author. A former pharmaceutical sales man named Nicholas Sparks who wrote a love story in his spare time called the notebook.
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